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SECM 2102 cover

Haydn and His Contemporaries II




Between stile antico and galant: An Authorship Complex of Eighteenth-Century Responsories for the Santísima Trinidad at Mexico City Cathedral, Dianne Lehmann Goldman

New Light on Eighteenth-Century Viennese Church Music, from Behind the Convent Wall, Janet K. Page

Retracing the Steps of the March: from the Hymns of the French Revolution to the Songs of the Church, Thierry Favier

Dancing into Battle? Duality of the March in a Gottlob Harrer Sinfonia, R. Todd Rober

Haydn and Prince Kraft Ernst of Oettingen-Wallerstein: A Study in Admiration, Deception, and Reconciliation, Sterling E. Murray

Haydn’s L’incontro improvviso: Deceitful Dervishes, Greedy Servants, and the Meta-Performance of alla Turca Style, Erin Jerome

Representations of Virtuosity: Portraits of Cellists and Gambists in the Seventeenth and Eighteenth Centuries, John Romey

The Simplifying Cadence: Concession and Deflation in Later Eighteenth-Century Musical Style, W. Dean Sutcliffe

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