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SECM 2104 cover

Music in Eighteenth-Century Culture

Contents


Preface

Contributors

Theatrical Politics and Public Opera in Late Eighteenth-Century Russia, Elise Bonner

The Editor from Hell: Information and Misinformation on Chinese Music in Late Eighteenth-Century France, Stewart Carter

Who Laughs Last? The Dancer in Haydn’s Concert Minuets, Chantal Frankenbach

An Answered Prayer but an Unlikely Oratorio: Music for the Birth of a Portuguese Princess, Danielle M. Kuntz

Embracing Fashionable Taste: Evidence of Stylistic Evolution in the Symphonies of William Herschel (1738–1822), Sterling E. Murray

Performance History of Georg Philipp Telemann’s Musicalisches Lob Gottes (Nuremburg, 1742–1744), Nicholas E. Taylor

Defining the Self: Carl Philipp Emanuel Bach’s Autobiography as an Attempt at Self-Fashioning in the Middle of the Eighteenth Century, Markus Rathey

Finding Eurydice’s Voice: Staging Gluck’s Orfeo ed Euridice in London, Munich, and Berlin, Eric Schneeman


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